And when she discovers that the mythical “green place” she’d dreamed of has long since devolved into an uninhabitable muck, the pure emotion that flows from her carries great poignancy.
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(Miller co-wrote the script, with its gripping specificity of language, with Brendan McCarthy and Nick Lathouris.) Theron is so subtle here with just the slightest gesture-the way Furiosa hesitantly mirrors the elders’ ritual of reaching for the sky for an imaginary star and pulling it back down to the heart, like going back to church for the first time in a long time and still remembering the words to prayers you learned in childhood.
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When one of them asks her how long she’s been gone, Furiosa responds without hesitation: “Seven thousand days, plus the months I don’t remember,” and you feel the pressure of the weight she’s been carrying inside her. But once Furiosa finally leads her crew back to her homeland and encounters a tribe of older women who are just as strong and resilient as she is, the hugs and tears provide a palpable moment of catharsis. Theron reveals glimmers of her character’s kindness throughout the course of the journey. She leaves nothing to chance, yet she dares to open her heart to others who need her. Every decision she makes is in pursuit of a sanctuary she seeks purely through faith. Everything she does – from taking the initial, major risk to veer off-course during her mission with Joe’s wives in tow to fixing her behemoth of a vehicle as it barrels across the desert under near-constant attack – comes from a place of generosity. Furiosa’s ferocity has always been undeniable what impresses on a repeat viewing is her tenderness. With her shaved head, greased face, steampunk-inspired mechanical arm and the endless arsenal she carries within the war rig she commands, she’s as intimidating as she is resourceful. It’s no hyperbole to say that Charlize Theron has provided us with a supreme female warrior for the ages-an icon in the realm of Sigourney Weaver in the “ Alien” franchise and Linda Hamilton in the “Terminator” films. But very soon, he becomes a passenger in his own story, as the magnificent Imperator Furiosa takes the wheel for the breathless chase that gives the film its narrative spine. Former police officer Max Rockatansky ( Tom Hardy, his handsome face obscured yet again) may set the ominous tone with his gravelly opening voiceover, in which he rumbles about being “the one who runs from both the living and the dead” (before stomping on a two-headed lizard and slipping it into his mouth for a snack).
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A male character gives the film its title, but it’s the women who drive this tale, both literally and figuratively. But the core rebellion at the center of “Mad Max: Fury Road” will resonate with any woman who’s been underestimated, marginalized, harassed or assaulted.
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And in a highly symbolic screw-you gesture, one of the women uses a pair of bolt cutters to snip off the horrific chastity belt that’s ensnared her.Ĭomparisons to one-time Hollywood heavyweight Harvey Weinstein are certainly easy and apt. The worshipful, ambitious young men who’ve surrounded him and done his bidding are incapable of stopping them. They decide they will no longer breed warlords for the slovenly and sadistic tyrant Immortan Joe (a fearsome Hugh Keays-Byrne), who views them merely as things. This is a film about a group of women who dare to break free of the greedy and grotesque man who’d abused and exploited them for far too long. Because while it was already a moving assertion of feminine strength, it feels like an even more vital declaration of independence in the months and years following the #MeToo and #TimesUp movements. Revisiting the film now, I found it working its magic on a different area of the body: the heart.